Viktoria Sevryukova graduated from the Design Department of the Moscow Art Theatre School in 1983. She was a staff designer at the Children's Musical Theatre in Kiev from 1983 to 1985. She joined the Gorky Moscow Art Theatre as a costume designer in 1987. From 1990 to 2005 she was Chief Costume Designer there. In her career Sevryukova has created designs for over 350 productions. Some of them include: Anton Chekhov's “The Cherry Orchard” and Shakespeare's “Macbeth” at the Gorky Moscow Art Theatre; Moliere's “School for Wives” at the Chekhov Moscow Art Theatre; Flaubert's “Madame Bovary” and Rostand's “Cyrano de Bergerac” at the Mossoviet Theatre; F. Scott Fitzgerald's “The Great Gatsby,” Ken Ludwig's “Lend Me a Tenor” and Woody Allen's “Bullets Over Broadway” at the Pushkin Theatre; Alexander Ostrovsky's “In the Hot Seat” at the Russian Army Theatre; Chekhov's “What're You Doing in a Tux?” Iosif Raikhelgauz's “Hello, Don Quixote,” Chekhov's “The Seagull” and Boris Akunin's “Boris Akunin. The Seagull” at the Contemporary Play School; and Eduardo de Flippo's “City of Millionaires” at the Lenkom Theatre. She frequently works in Europe (Yugoslavia, Germany, Belgium, France) and she collaborated with the famous Ilkhom Theatre in Tashkent, Uzbekistan.
In cinema she created the costumes for two films by Gennady Poloka: “Was There Karotin?” and “The Return of the Battleship.” She has created costumes for numerous special occasions, notably for “Moscow for All Ages,” the closing extravaganza of the celebration of the 850th anniversary of Moscow at Luzhniki Stadium on September 7, 1997. Sevryukova's collection of rare and unique undergarments is famed. It counts over 3,000 items beginning from the year 1860. Sevryukova is the chief Russian expert on the history of undergarments in Russia.